Benjamin, W. 1936 'The work of art in the age of mechanical reproduction' in H. Arendt (ed) [Harry Zohn (trans)] 1969 Illuminations, New York: Schocken Books. 217-51.
Bonacchi, C., Bevan, A., Pett, D., Keinan-Schoonbaert, A., Sparks, R., Wexler, J. and Wilkin, N. 2014 'Crowd-sourced archaeological research: the Micropasts Project', Archaeology International 17, 61-68. https://doi.org/10.5334/ai.1705
Cobb, H. and Croucher, K. 2014 'Assembling archaeological pedagogy. A theoretical framework for valuing pedagogy in archaeological interpretation and practice', Archaeological Dialogues 21(2), 197-216. https://doi.org/10.1017/S138020381400021X
Forte, M. (ed) 1996 Virtual Archaeology: Great Discoveries Brought to Life Through Virtual Reality, London: Thames and Hudson.
Gell, A. 1998 Art and Agency, Oxford: Clarendon Press.
Gillings, M. 2002 'Virtual archaeologies and the hyperreal: or, what does it mean to describe something as virtually-real?'in P. Fisher and D. Unwin (eds) Virtual Reality in Geography, London: Taylor & Francis. 17-34.
Goodrick, G. and Earl, G. 2004 'A manufactured past: virtual reality in archaeology', Internet Archaeology 15. https://doi.org/10.11141/ia.15.2
Hallam, Y. and Ingold, T. 2007 Creativity and Cultural Improvisation, London: Berg Publishers.
Harris, M. 2007 'Notes on ethnographic labour and creativity (introduction to Part 4)' in Y. Hallam, and T. Ingold (eds) Creativity and Cultural Improvisation, London: Berg Publishers. 239-43.
Holtorf, C. (ed) 2015 'Are we all archaeologists now?' Special issue of Journal of Contemporary Archaeology 2(2).
Huggett, J. 2004 'Archaeology and the new technological fetishism', Archeologia e Calcolatori 15, 81-92.
Huggett, J. 2015 'A manifesto for an introspective digital archaeology', Open Archaeology 1(1), 86-95. https://doi.org/10.1515/opar-2015-0002
Ingold, T. 2000 The Perception of the Environment: essays on livelihood, dwelling and skill, London: Routledge. https://doi.org/10.4324/9780203466025
Ingold, T. 2007 'Materials against materiality', Archaeological Dialogues 14, 1-16. https://doi.org/10.1017/S1380203807002127
Ingold, T. 2011 Being Alive: Essays on Movement, Knowledge and Description, London: Routledge.
Jeffrey, S. 2015 'Challenging heritage visualisation: beauty, aura and democratisation', Open Archaeology 1(1), 144-52. https://doi.org/10.1515/opar-2015-0008
Jeffrey, S., Hale, A., Jones, C., Maxwell, M., Jones, S. 2017 ACCORD: Archaeology Community Co-production of Research Data [data-set]. York: Archaeology Data Service [distributor] https://doi.org/10.5284/1042733
Jeffrey, S., Hale, A., Jones, C., Jones, S. and Maxwell, M. 2015 'The ACCORD project: archaeological community co-production of research resources' in F. Giligny, F. Djindjian, L. Costa, P. Moscati and A. Robert (eds) 21st Century Archaeology: concepts, methods and tools, Proceedings of the 42nd annual conference on computer applications and quantitative methods in archaeology, CAA 2014 Paris. 289–95.
Jeffrey, S., Jones, S., Maxwell, M., Jones, C. and Hale, A. in prep. 'Authenticity, value and 3D heritage visualization: the ACCORD project'.
Latour, B. 2005 Reassembling the Social: An Introduction to Actor-Network-Theory, Oxford University Press: New York.
Laurel, B. 2014 Computers as Theatre (second edition). Boston: Addison Wesley.
Lave, J. and Wenger, E. 1991 Situated Learning: Legitimate Peripheral Participation, Cambridge: Cambridge University Press. https://doi.org/10.1017/CBO9780511815355
Marshall, Y. 2009 'Community Archaeology' in C.Gosden, B. Cunliffe and R.A. Joyce (eds) The Oxford Handbook of Archaeology https://doi.org/10.1093/oxfordhb/9780199271016.013.0035
Miles, H.C., Wilson, A.T., Labrosse, F., Tiddeman, B., Griffiths, S., Edwards, B., Ritsos, D.P., Mearman, J.W., Möller, K., Karl, R. and Roberts, J.C. 2015 'Alternative representations of 3D reconstructed heritage data', Journal on Computing and Cultural Heritage 9(1), 41-48. https://doi.org/10.1145/2795233
Moshenska, G. 2004 'The archaeological uncanny', Public Archaeology 5, 91-99. https://doi.org/10.1179/pua.2006.5.2.91
Noble, G. 2014 'A very royal place: Rhynie and the Picts', Current Archaeology 289, 22-28.
Noble, G. and Gondek, M. 2011 'Symbol stones in context: excavations at Rhynie, an undocumented Pictish power centre of the 6th-7th centuries AD?', Medieval Archaeology 55, 317-21.
Reilly, P. 1991 'Towards a virtual archaeology' in K. Lockyear and S. Rahtz (eds) CAA90. Computer Applications and Quantitative Methods in Archaeology 1990, British Archaeological Reports International Series 565, Oxford: Tempus Reparatum. 133–39.
Reilly, P. and Beale, G. 2014 'Virtual archaeology in a material world: new technologies enabling novel perspectives' in F. Giligny, F. Djindjian, L. Costa, P. Moscati and A. Robert (eds) 21st Century Archaeology: concepts, methods and tools, Proceedings of the 42nd annual conference on computer applications and quantitative methods in archaeology, CAA 2014 Paris. 22.
Ritchie, M., Wright, D., McDonald, N., Sutherland, G. and Todd, L. (written and published 2014-2015) 'Mac - Talla Nan Creag'. Firecracker Records. http://firecrackerrecordings.bandcamp.com/album/firec015-mac-talla-nan-creag [Last accessed 15 November 2016].
Schofield, J. 2014 Who Needs Experts? Counter-mapping Cultural Heritage (Heritage, Culture and Identity), New York: Routledge.
Shanks, M. 2013 'Archaeological manifesto'. mshanks.com - blog - all things archaeological. https://www.digitalmanifesto.net/manifestos/61/ [Last accessed: 3 March 2016].
Sennet, R. 2008 The Craftsman, New Haven: Yale University Press.
Swenson, G. 1963 'What is Pop Art? Interview by Gene Swenson', Art News 62, 26.
Watterson, A., Baxter, K. and Watson, A. 2014 'Digital dwelling at Skara Brae' in I.A. Russell and A. Cochrane (eds) Art and Archaeology: Collaborations, Conversations, Criticisms, New York: Springer, 179-95. https://doi.org/10.1007/978-1-4614-8990-0_13
Internet Archaeology is an open access journal. Except where otherwise noted, content from this work may be used under the terms of the Creative Commons Attribution 3.0 (CC BY) Unported licence, which permits unrestricted use, distribution, and reproduction in any medium, provided that attribution to the author(s), the title of the work, the Internet Archaeology journal and the relevant URL/DOI are given.